MATT HILL Reviews
Manifesto of the Moment by mIEKAL aND
(Moria Books’ Locofo Chaps, Chicago, 2017
“This text is hampered by your attempts
to understand it” -
We should begin with that Moment, in this Manifesto which
chronicles the fragments of perceived time as they ride across the reader’s
consciousness. This basket of loose phrases tenuously links the poetic endeavor
of the individual with the current crisis we are experiencing in the daily
attacks upon our Republic and its Constitution.
“We’ve become our own worst nightmare.
Democratically” -
“Taking liberties with prevailing
assumptions, never mind the consequences” -
The content of Manifesto of the Moment is structured by
one line epigrammatic sutras, a procession of thought-fragments in flux, the
quirky tangled up in the immediacy of the quotidian. Reading through mIEKAL’S
phrase-tractatus is like journeying through a distant land, perhaps a passage
through an experiential terrain called The Resist Stance. This text is
impregnated with whimsically infused brevities; maybe even seasoned well with
the enigmatic vectors of au courant observations.
“What they failed to say is that with a
clown in the White House, circuses are irrelevant’ -
“The populace is at odds and the wind is
blowing hard” -
The momentum of phrases
found here in Manifesto of the Moment
is similar to a process that has been called “disjunctive synthesis”, one used
predominately by experimental poets such as Clark Coolidge (Research) and George Quasha (his series
of Preverb books including Glossodelia
Attract and Daimon of the Moment).
For example, Quasha’s preverbs are epigrammatic lines that hold various core
notions, blending thought-fragments with seasoned observations, that encourage
and spur the reader onward toward some future insight.
Disjunctive Synthesis is a
process of taking apart the components of language and then reordering those
parts in selective ways. In mIEKAL’s chapbook, this reorder has found its flow
in a tenuous linkage between narrating elements of the current political
unrest, and a phrase-surfing through some unknown flux of quirky quotidian
immediacy. His long history of involvement with visual poetry, asemic
phraseology, “interwriting”, neologism creation, and experimental
collaborations colors the lines within Manifesto
of the Moment; a positive cynicism emerges that is apropos of the current
level of insanity we are expected to daily absorb with this cardboard character
who has usurped the Oval Office.
Lines of surreal images
get purposively tangled up with a droll humor in these ophaned lines - one
proceeds obliquely, yet with a resolute sense, pocketing the phrases as a
necessary currency for our daily Resistance.
“I turned the wrong way and arrived at
my destination” -
“It’s time for the cure” -
*****
Residing in the southern part of Northern California, Matt Hill is a sculptor, poet, and fiction writer. His poetry, prose, and fiction can be found on many Internet venues, including BlazeVox Books, Argotist ebooks, and Gradient Books. Integral Process: Selected & Recent Poetry and Prose is his latest work.
Another view is offered by M. Earl Smith in this May issue at
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